Girls, I am telling you, when I saw the promo for this episode, I thought it bore a strong resemblance to the John Grisham book I read recently, "A Time For Mercy," in which a teenaged boy kills his mother's abusive boyfriend. I call that justifiable homicide, because the scum deserved to die, even if he was killed, and so did Dwight, in this episode.
I was afraid some lazy writer had read the Grisham book, and decided to do their own riff on it. Fortunately, there was more to it than that, but, while filled with fascinating tidbits, it did not add up to much.
Let's start with Riki Lindhome's performance as Irena Nowak. I did not have much sympathy for her, at first. And what was with her channeling Joni Mitchell, by copying the singer's look, back in the day? As for Dwight, played briefly by Christopher Cassarino; well, he turned out to be not only an abuser, but a trucker drug addict, gets Irena Nowak, a single mother trying to raise two kids--Lee Ann, by Dwight, and Will, by policeman Marc Vargas, played by Elliot Villar--hooked and submissive, so what chance does she have to get out from her situation? And what is she doing associating with some piece of White Trash, from rural Virginia? No, I did not feel a bit sorry for Irena, at this point. I wanted to step in, or have someone else do so, like Crusading Olivia, and call Children's Services? Why didn't she?
The best moment was Rollins and Dwight confronting one another. Two White Trash forces clashing with each other. Except Amanda, wonderfully played by Kelli Giddish, has successfully pulled herself up from that Southern muck, but not Dwight, who is still mired in it, especially when into the picture enters Amanda Jane Cooper, as Sherry Wagner, Dwight's pregnant, and definitely White Trash, wife. I really don't know if she was even necessary to have her in the story; maybe it was to make the homicide justifiable. Which it was. It would have been more interesting if Will had actually done it, but it turns out Irena had a spine, after all.
During an interim during court proceedings, there is a scene between Irena and Olivia, where Irena mentions having grown up in an abusive home, where someone was beaten every day. Now I felt sorry for her; it explains her behavior early in the episode, as well as her poor track record with men. All men seem abusive to her; even Carisi, a side of him which I was shocked to see.
Irena is the killer, while Will was trying to protect his mother. The killing was not shown, but what happened was Lee Ann had to use the bathroom, and Dwight was in the tub. Probably jerking off. Irena goes in with Lee Ann,--which I question, bringing a small child into a room with an adult naked man, as if this was normal?--and an argument ensues. Irena spots her hair dryer on a nearby shelf, and plugs it in. Dwight says she hasn't the guts to throw it in the tub, and once he gets out, he will take care of she and Will. He is partial to Lee Ann, who is his own daughter.
But guess what? Irena does have the guts, so "plop, plop, fizz, fizz, oh what a relief it is." I really wish we could have seen Dwight fry!!!!!!!!!!!!!!!!!!!!!!!
For a change, Finn, not Olivia, gets the last shot, thanks to the subplot of his lawsuit from last season. But the main plot resolution is not satisfactory, leaving too many questions unanswered. Irena will go to prison; who will take care of the children? Sherry Wagner is trash, but she does have a point--what kind of justice is this for her, a pregnant woman, and what is she supposed to do? These threads were just left hanging.
It was nice to see Jessica Phillips return as Pippa Cox, whose husband is in prison on child porn charges. I think Josh Pais wanted out of the show and role, so this was concocted for him. Because, in all the years he played the role, the character never displayed any signs of a sexual interest in children. Oh, I know, many of these types are covert, but, from a written standpoint, it just did not make any sense.
And how about examining class distinctions, via Irena, Amanda, Dwight, and Sherry. Proof that White Trash does not belong in New York.
Let me tell you something, dolls--"The Ballad Of John And Yoko" is more satisfying!!!!!!!!!!!!!!!!!!
I only know Riki Lindhome from Garfunkel & Oates.
ReplyDeleteShe looks so sweet but is actually kind of vulgar!
ReplyDeleteVictoria,
I had never heard of her,
and while I thought she gave
a good performance, I could not
get over her Joni Mitchell look.