I really had high hopes for "Boop! The Musical," now at the Broadhurst. It is colorful, laced with generic choreography and has a star turning performance by Jasmine Amy Rogers in the title role. But David Foster and Susan Birkenhead give it a lackluster score, and Bob Martin's book goes on for far too long, and there is no real story.
The show starts out promisingly, immersed in the black-and-white world, superbly recreated by David Rockwell's sets and George Barnes' costumes. I was anticipating a sophisticated romp back to the Twenties and Thirties, the era of Betty Boop herself, and had the creators stayed with that they might have had a halfway decent show. Hell, with that concept and a classic score, they might have created the greatest cartoon musical since "Annie."
Alas, no.
Because Betty gets in Grandpa's time machine where she is transported to 2025, and cannot figure out how she fits in. Ho hum. Angelica Hale's performance livens things up a bit, but I would rather have had the 2025 characters transported to Betty Boop's world. My eyes nearly popped out of my head when this Jennifer Coolidge impersonating woman walks out on stage--and David told me it was Faith Prince! He was right! Oh, Faith, what has happened? A girl has to work, I suppose,
All the color and glitz cannot make up for the lack of fun.
But I know what you girls want to know--
Yes, Pudgy is in it; actually, he steals the show!
And, yes, Betty says "Boop boop a boop!" at the beginning and the end.
Had she just done that, it might have been a fun evening!!!!!!!!!!!!!!!!!!!!!!!!!!!