Such works flourished in the Fifties and Sixties, by writers like Gore Vidal, William Gibson, Paddy Chayefsky, and JP Miller, whose work above I am about to discuss. And how about Cliff Robertson, who appeared in the Playhouse 90 version of "Days Of Wine And Roses," which transferred to film, and decades later, a Broadway musical. He also appeared on TV in "The Two Worlds Of Charlie Gordon," which morphed into a movie, becoming his Oscar winning role in "Charly."
The Seventies had the series "Family," with Sada Thompson and James Broderick, plus a then young lady who skyrocketed to stardom--Kristy Mc Nichol. Some episodes were better than others, but this show was always above the crap being turned out, even then.
As for "The People Next Door," it is a period piece, but the issues it explores could fit into the context of opioid addiction--fentanyl, and Oxycontin, to be precise.
But this drama has more at stake. Along with substance abuse, it tackles parental and offspring misunderstanding.
Deborah Winters is extraordinary as Maxie, and she propels the piece. Decades later, now, Maxie will be her signature role, the one she will be remembered for, and deservedly so.
The parents are something else. Lloyd Bridges and Kim Hunter as the Masons are an affluent blue-collar family who don't understand the world outside them. I love the camera shot of Kim Hunter holding the joint and cigarette at the same time. In fact, there are few times when she does not have a cigarette in her hand; even in bed before going to sleep, even when holding her afflicted daughter, she cannot let go of that nicotine stick. Just like Arthur cannot stop drinking.
Just like Tina Hoffman (Phyllis Newman, in a subtly nuanced and smart performance) has to have her alcohol, and David (Fritz Weaver) has to have his caffeine. I am guilty of that. They have bigger problems lurking beneath the surface, and when those problems erupt, Maxie's tragic situation is blown wide open, and alters the neighbors' relationship forever.
I am glad this ended on an ambiguous note. There are no easy answers here. How does one help someone intent on destroying themselves? Believe me, I know. Miller said his son's experience with some hippies led him to write this. The viewer cheers for Maxie, but can she ever get better? Substance abuse kills in more ways than one.
This statement above, and the havoc and self-destruction such abuse could lead to is the entire point of "The People Next Door," and the issues still hold up today. How many Maxis are out there, with the parents not knowing?
Sure, the costumes and sets and lighting are from a different era, and highly theatricalized, but look at the results. The watered-down cinematic version, from 1970, with a different set of parents (Eli Wallach and Julie Harris as the Masons, Hal Holbrook and Cloris Leachman as the Hoffmans) was good, but not as good as the earlier version. But Deborah Winters still soared as Maxie.
What Maxie is going through is something we all do. She is beginning to see her parents for what they are, and she does not like it. Adolescents take mamy options at this stage--mine was books and movies-- but not all destroy themselves. The ones who do are turning their ambiguity and confusion onto themselves, resulting in self-destruction.
I urge you to see the kind of drama, like this which exists no more. Even this kind of acting. I wonder if it could be brought back. It should. Nothing today compares to it. And yes, one still could play the same script, substituting fentanyl or Oxy.
"The People Next Door" exposes all the social issues needing to be reviled. But, today, it also exposes a lack of quality in our culture.
Bring back performances like these!!!!!!!!!!!!!!